Texts included in the corpus:
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Index
  • Abbott, L.B. (1975), The Cameraman and Special Photographic Effects. In American Cinematographer LVI/10. October 1975: 1150-1153, 1176-1177, 1184.
  • Boggs, Joseph M. (1996), The Art of Watching Films. Mayfield Publishing Company, Mountain View, California. Fourth Edition. 135-146, 172-180.
  • Brodbeck Emil E. (1966), Handbook of Basic Motion Picture Techniques. American Photographic Book Publishing Company Inc., New York. 80-98.
  • Brodbeck Emil E. (1968), Movie and Videotape Special Effects. American Photographic Book Publishing Company Inc., New York. 9-33, 97-118.
  • Campbell, Glenn (1990), Crimestoppers Textbook. In Cinefex n.44, November 1990: 43-51.
  • Campbell, Russell (1970), Practical Motion Picture Photography. A.S. Barnes, New York. 152-168.
  • Clark, Frank P. (1966), Special Effects in Motion Pictures - Some Methods for Producing Mechanical Special Effects. Society of Motion Picture and Television Engineers Inc., New York. 93-115.
  • Clarke, Charles G. (1964), Professional Cinematography. American Society of Cinematographers, Hollywood, California. 161-176.
  • Crisp, Mike (1993), The Practical Director. Focal Press, Boston. 1-15.
  • Culhane, John (1981), Special Effects in the Movies. Ballantine Books, New York. 46-63.
  • Dryer, David (1982), Blade Runner - Special Photographic Effects. In American Cinematographer LXIII/7. July 1982: 692-695, 725-730.
  • Field, Roy, Iles, T. (1979), Modern Techniques of Optical Trick Cinematography. In American Cinematographer LX/9. September 1979: 892, 914-916, 937-939.
  • Johnson, John (1995), Cheap Tricks and Class Acts. McFarland & Co., Jefferson, N.C.. 77-105.
  • Kawin, Bruce F. (1992), How Movies Work. University of California Press, Berkeley. 46-50, 84-89, 156-167, 201-242, 411, 435.
  • Lee, Nora (1983), Motion Control for Blue Thunder. In American Cinematographer LXIII/5. May 1983: 58-59, 99-105.
  • Lowell, Allen (1983), Matte Effects for Return of the Jedi. In American Cinematographer LXIV/6. June 1983: 81-85, 128-136.
  • Magid, Ron (1987), Optical Mattes for Flight of Superman. In American Cinematographer LXVIII/12. December 1987: 45-48.
  • Mamer, Bruce (2000), Film Production Techniques. Creating the Accomplished Image. Wadsworth/Thomson Learning, Belmont, California. Second Edition. 3-26.
  • Manoogian, Haig P. (1966), The Film-Maker's Art. Basic Books Inc., New York. 106-114.
  • Morris, Patrick (1999), Nonlinear Editing. Focal Press, Boston. Second Edition. 78-89.
  • Olson, Robert L. (1999), Art Direction for Film and Video. Focal Press, Boston. Second Edition. 29-47.
  • Petzold, Paul (1969), All-in-one Movie Book. American Photographic Book Publishing Company Inc., New York. 153-164. 179-189.
  • Rabiger, Michael (1997), Directing Film Techniques and Aesthetics. Focal Press, Boston. Second Edition. 33-47.
  • Ryan, Rod (1993), American Cinematographers Manual. ASC Press, Hollywood, California. Seventh Edition. 430-433, 475-481.
  • Samuelson, David (1995), Setting the Camera Free. In American Cinematographer LXXVI/12. December 1995: 97-102.
  • Stinson, Jim (1966), The Videomaker Handbook. A Comprehensive Guide to Making Video. Focal Press, Boston. 3-17.
  • Turner, George (1983), Effects Photography for Return of the Jedi. In American Cinematographer LXIII/6. June 1983: 89-94, 136-140.
  • Whitlock, Albert (1974), Special Photographic Effects. In American Cinematographer LV/11. November 1974. 1330-1331, 1360-1363.
  • Wilkie, Bernard (1996), Creating Special Effects for TV and Video. Focal Press, Boston. Third Edition. 48-64.
  • Wolf, Mark J.P. (1995), In the Frame of Roger Rabbit: Visual Compositing in Film. In The Velvet Light Trap. Fall 1995/36: 45-49, 55-58.
Reference texts not included in the corpus:
  • Beaver, Frank (1994), Dictionary of Film Terms. Twayne Publishers, New York.
  • Bordwell, David, Thompson, Kristin (1997), Film Art: An Introduction. McGraw Hill, New York.
  • Monaco, James (1977), How to Read a Film: The Art, Technology, Language, History and Theory of Film and Media. Oxford University Press, New York.
  • Sharff, Stefan (1982), The Elements of Cinema: Toward a Theory of Cinesthetic Impact. Columbia University Press, New York.
  • Webster's Third New International Dictionary of the English Language unabridged. Springfield, MA, Merriam Webster Inc., 1993.